“Pastoral” is derived from the Latin word pastor meaning shepherd. In the context of music, it often describes an ideal rural countryside aesthetic. That being the case, it is perplexing how this namesake comes to be associated with its music. Perhaps, in the sense of its openness and freedom?
A regular playing of this concert study takes less than three minutes, making it a great choice as an encore. It is a delightful gift for the classical pianist who can partake in playing jazz without having to engage in mind-bending improvisation. Nevertheless, even with a fully annotated score, this piece is still quite the challenge. In order for the simple melodies to not be drowned out, they have to be carefully voiced with the outer (fourth and fifth) fingers of the right hand, whilst the inner fingers and the left hand engage in a flurry of notes forming the harmony. It vacillates (with very short transitions) between pulsating drive and energy in its syncopations and an airy spaciousness where the left hand capriciously hops between registers. Before you know it, it is over, like a pleasant daydream.